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Elma Mayer

by Elma Mayer

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1.
It’s actually cool in the shade Actually almost cold in the shade But the sun some yards away is hot But the sun is millions of miles away And my sweatshirt is at home The green shade, the green green shade The green sweatshirt, the green green shade We hiked up a trail through the grass Up a hill where the sun had yellowed the grass But the woods right next to the path smelled cool But the trees on the opposite hillside were charred from the fire I was burning up in my black t-shirt And my sunscreen was at home The blonde grass, the ashen grass The black trees and the black t-shirt The green shade and the yellow grass You ran waving your arms in the air As you flew down the trail high up in the air, up on the hill Above the bay, up in the blue sky Above the clouds that came in waves from over the sea Cold waves of clouds broke over the hills across the bay and covered the bridge But we were safe on the hot yellow hill Looking out onto our home The blue air, the blue blue air The white clouds and the blue bay and The red bridge and your blue t-shirt The orange poppies, the golden hills The green shade and the blue blue air I moved away from my home by the sea I actually left my home by the sea But I left my heart so I'd have to return But my home has changed The hills and buildings shift and burn Now my house is thousands of miles away In a city where nights are brighter than day And I look out my window to the west, out at the pale sky And after dark I close the green shade But the sun’s still high over the golden hills And I want to go back home The gray sea, the gray gray sea The gray rocks and the gray fog and the gray sagebrush, the gray gulls Or the gray city, the gray bridges. the white lights and the white snowflakes, The sparkling streets and the bright windows, the gray dawn Or the golden sunset, the gray sea and the green, green shade
2.
The Tide 02:28
The tide is rising and the moon is high and still rising on the bounding main We're waiting for the big wave that’s capsizing o’er the uprooted plain The next thing I see is a wave goes by The wave that goes by is a mighty fine train The wave that I see is the train to ride The sails are filling and the wind is up and still changing, sea to rising sea We’re watching while the waves keep rearranging the shapes of history The flags are flying and the mood is high The tide is turning toward the ground that’s still dry We’re wading through the marsh of time We’re waiting for the waving flags to touch ground and burn white We're waiting for the half acid reigns on this parade to snap tight The next thing I see is a wave goes by The wave that goes by is a mighty fine train The wave that I see is the train to ride
3.
Glue 01:08
Molecular glue sticks me to you Molecular glee in those spiral eyes Gives you that double trouble helix hex, baby Gives you that coil no rubber erases That baby bump grind in the night That squiggle carries on the line That bends or breaks That 3-D curve That offspring throw That wrapped-round thumb That right-hand screw That slinky walk That winding stare Those spiral eyes
4.
Yore 03:36
Nestling in the rushes-o The sepia-twinged famine of old, of yore Hooks its horns into the warp Unravels and knits the simultaneously ebbing flowing shroud It is written in visible stone It is ruled with crooked staff Serpent struck Beaten into pulp and pew The stench of marsh Mangroves, papyrus The snake or the mongoose The seven lean dancers A sphynx-aided question Sunken shaft to antechamber Dive dive dive
5.
Rendering 01:14
Molecular glue sticks me to you Molecular rendering of hearts into stones Give animal magnets Give mineral best friends Biological hostess to pasture her guest sends The starshine dissolves into meteor showers The milky way The spiral arm The wing-footed messenger brings to her flowers The ruby lips The diamond drill The silver vein The iron will The blue blood stock The ionic bond The column fallen in the pond
6.
Yin/Yang 01:30
Lack of thunder means no lightning Sleep all day in the hot sun Lack of wonder means no frightening Sleep all night with the lights on
7.
Velcro 01:11
Molecular glue sticks me to you Molecular Velcro, quel cro-magnon stands So savoir faire, in neanderthal valley? Adonis dons hardhats Dons helmets Dun Juan
8.
Jerks 00:59
There's some jerks in the park Playing jujitsu basketball Yelling all night long There’s some guys in the highrises Tickertaping skyscrapers Yelling all day long All those people blowing their horns Aren't really getting anywhere And the walls come down While they're caught in the traffic Of their own slavery
9.
Cupids 00:46
Molecular glue sticks me to you Molecular cupids shoot particle cannon And randomly firing with two cleft hooves Will miss or hit the cleaving part The sting and stick of poison darn The snake bite kit The suck and spit The tourniquet The bleeding heart
10.
Three haiku versus The pet gila monster fight All day in the hot Sun
11.
Monsters 00:52
Monsters and bugs and viruses and tyrants All taking over the world together Or taking the world apart The sins of the fathers visit the son of a gun And stay awhile to chat
12.
A Burst 01:53
A burst of radiation Ten thousand strong Erases this song The song bursts Detonates Vapor trails Out to space Where is it What happens To a sang When it‘s gone Does it go Forever On and on No ending Beginning To get it Is that how The song goes? A burst of radiation Ten thousand strong Erases this song A burst of radiation A zillion years long Folks singin’ a song
13.
Winter was a-comin' down Everybody went nuts Nobody saved nuts Everybody went cuckoo Everybody sang cuckoo Everybody drank, got frank Nonsenss and merry made Full of grapes Spiked yet so mild Everybody sang and never brought to mind Forgot to remember their history Or was it biology? Begat me, begat me not And they forgot thee, Old ruse again And their tongues clove And their cinnamon stuck And they sat down by the whore of Babylon And they cried Woe woe woe Whoa yeah
14.
Grapes 01:49
The grapes of sloth Between my toes And in my eyes the sun Is blotting out and blotting in The grapes are turning sour My shoes are slipping Walking a long distance between two pints The god of rotting fruit Was struck by disrepute Electric bolt, chemical jolt And now lies mouldering Beneath the grass Beneath the hanging bats Beneath the laboratory men‘s Lucid slivery doom
15.
The Past 01:57
Saying hello to tomorrow Waving goodbye to bygone days Sprocket holes tearing and blurring Silvery night forming fumes In a slow motion explosion The past happens so fast It’s so far gone It’s out of time It’s out of range It’s out of focus Skirting around hazy memory Shifting around in a darkened room Panting and sweating and listening Silvery night forming scenes Filmy layers of ancient pollen Filmy layers of past panoramas Dissolving serious stars of the silvery night
16.
Angelfish 01:29
Angelfish All they ever do is die Goldfish are toughest The robustest of little fish Goldfish Circle the bowl They swim downstream Past the anchovy factory Past the hatchery Out to sea
17.
At the bottom, on the ocean floor All the water presses down The dead The silt The sediment
18.
Where are those waves coming from? Are they coming from the Southland? Are they coming from the sun? Are they coming from the radio? Where are those waves coming from? Are they coming from the handkerchiefs on shore? Are they coming from on board? Where are those waves coming from? Are they coming from the slipping of the plates? Are they gonna get us?
19.
At the Top 01:07
We like to park Our car on top of boats And go across the channel On the ocean, at the top On the ocean, at the very top Legs churn Water buoys up Solid water piled on top
20.
Bends 00:37
21.
Twin Lakes 01:29
Thinking is the thinking man’s sport Shooting is the hunter's Snowshoes for both are loaned at the lodge Over by Twin Lakes Twice as deep as usual Siamese twin lakes joined at the surface Siamese twin lakes frozen together Twice as dark Twice as cold Twice as deep to drown in
22.
Poetry 01:25
Poetry Adventure Tea Aeroplanes Tungsten Chats Immigrants Truncheon Gambit Yachts Grace Oaths, sworn or promised Sloth The Cloth Are those oxen real Or are they just constellations? Our dead
23.
The Bridge 01:14
The bridge that begins with a “B” And ends with the bends And breaks in the quake And sways in the wind Stops halfway to shore That frozen land bridge melts before They're all down or they're falling
24.
It's that thinking feeling again That makes your hair rise up to the surface It's that thinking feeling again Floating up to the surface It‘s that thinking feeling That the surface tension bursts That the brainstorm brings It‘s that thinking feeling again
25.
(Translated with help from Hardy Mayer) How good is the wine of Ghiurghiu! Harvested late in the fall. Whether there’s fog or snow I drink a lot but I still don’t get drunk I swore that I wouldn’t drink anymore But I just can’t help it How good is the wine – I like it so well I don’t know what to do How good is the wine, and tasty When you drink it with a handsome man But the very same wine sticks in your throat When you drink it with an ugly man

about

“The uncategorizable songs of this Buchearest-born singer are as engaging as pop, as complex as German lieder, and touch on jazz, 12-tone music, experimentalism, cabaret and a few other things…”
Kyle Gann, The Village Voice

credits

released September 1, 1996

All songs composed and performed by Elma Mayer unless otherwise noted. Produced and mixed by Elma Mayer & Brian Woodbury. Package design by Megan Montague Cash. Painting by Charles H. Woodbury, Nine Swimmers, 1915, courtesy of The MIT Museum. Elma photo by Lorraine Forte. Three Haiku vs. the Pet Gila Monster was commissioned in part by the First Light program of New York's Dance Theater Workshop with funds provided by the Joyce Mertz-Gilmore Foundation. Bends was commissioned by New Langton Arts, San Francisco. Chris Wood appears courtesy of Gramavision, a Rykodisc label.

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Elma Mayer Los Angeles, California

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